20th Century U.S. Cultural & Dance Historian
Ph.D. Candidate, Department of History
Emily Hawk is a twentieth century United States cultural historian and a Ph.D. candidate (ABD) in U.S. history at Columbia University. Her dissertation, "Movements of Modern Dance: Black Choreography and Civic Education, 1965-1976," examines a cohort of Black choreographers whose works reflect, respond to, and sometimes explicitly seek to inform the political discourse of their day.
Hawk's research has been supported by fellowships and grants from the Smithsonian Institution, the Society for U.S. Intellectual History, the New York State Archives, and the Gerald R. Ford Presidential Library. It has also earned graduate awards from the Dance Studies Association (Selma Jeanne Cohen Award), Popular Cultural Association (William M. Jones Award), and Western Association of Women Historians (Perry Graduate Poster Prize).
Hawk's first publication is “The Choreographer as Intellectual: Alvin Ailey’s Ideas about Black Modern Dance” in the Journal of American Culture. She is a contributor to the blogs of the Gotham Center for New York City History and the Society for U.S. Intellectual History and has written book reviews for The Nation and History Today. She also serves as rapporteur of the Studies in Dance University Seminar (2018-present) at Columbia University.
Hawk is committed to her teaching practice and student mentorship, grounded by a love for the liberal arts. A 2021 finalist for Columbia's Presidential Award for Outstanding Teaching and a Faculty Diversity Fellow, Hawk participates in Columbia's Teaching Development Program. She serves as an advisor to rural college applicants through the Fair Opportunity Project (2022-present) and is a former undergraduate academic advisor through Columbia's Center for American Studies (2019-2022).
Hawk earned an M.A. with distinction in dance history at the University of Roehampton and a B.A., summa cum laude, Phi Beta Kappa, in dance and history from Franklin & Marshall College. She lives in New York City with her husband Mark Harmon Vaught, a higher education administrator.
The Body as Machine: Review of Mr. B: George Balanchine’s 20th Century by Jennifer Homans
History Today , Vol 72:12